FranchotBallinger observes that stories about Coyote (and Trickster figures as a whole) almost invariably cast the protagonist as male. As a sexual creature, an object of satire, and a transgressor of social structures, Coyote occupied a traditionally male space. Even today, our social imagination typically casts men as the rovers, the wise fools, and shamans.
Coyote-Woman steps into this vacuum carrying a slightly different kind of medicine in the pockets of her crochet coat. Like Old Man Coyote, she is an Outsider. She saunters back and forth between wilderness and civilization learning the lessons that both worlds have to offer. She plays the fool, capering, clowning, and joking with the best. She is often called a fool because she rages against boundaries and breaks the rules that "only a fool would break". However, in reality, her foolishness is clever, wild, and irreverent. As Ina Woolcott explains, "Coyote's medicine includes understanding that all things are sacred and that yet nothing is sacred."
This is Coyote-Woman's brilliant power. She sees the world as sacred, but not untouchable. She builds no churches and believes that old, mysterious, and holy objects belong to the world, not on high shelves and museum cases. She honors tradition and history as a living thread that is continually rewoven into new forms.
In fact, she is a new form herself. Coyote-Woman reclaims that traditionally male mythological space as she teaches women to reinvent themselves, test their limitations, discern worthwhile risks from danger, and sing ideas into being.
If First Mother gave women corn and men tobacco, it was Coyote Woman who evened out the deal later.
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